THREE TEARS ON BLOODSTAINED FLESH is a modern, Midwesternized spin on the Giallo. This is the tale of Dominic, a man with a dark past who returns to the small town he's long since abandoned, to bury his niece Lexie, who has recently passed. Dragging his troubled daughter Kendall along with him, he simultaneously reunites with his estranged sister, Stella and reignites a past rivalry with the corrupt town sheriff, Rex Drisko. Convinced that there is more behind Lexie's death than is being said, Dominic begins digging around the town, probing its strange inhabitants, and in the process unearths his own demons and uncovers the town's dark secrets, which include a mysterious cult, a supernatural curse, a masked killer, and a very high body count. Everyone is both a suspect and potential victim, and only one thing is for sure: the Earth will be stained red before Dominic uncovers the truth.

Jimmy was a promising young boxer, but a past tragedy still haunts him.

Since 2005, the camera crews have followed some of the biggest superstars in the history of professional wrestling to capture some truly unique and candid moments.

This film originated from a multi-media performance called Three Posters, conceived and staged by Mroué and the Lebanese novelist Elias Khoury, and first performed in Beirut in 2000. The performance centred on an unedited tape made by Jamal al-Sati, a fighter for Lebanon’s National Resistance Front. This shows three ‘takes’ of his martyr testimony rather than the approved version that was aired on Lebanese television. The three ‘takes’ allowed Mroué and Khoury to question the status of suicide videos and martyr posters, and to examine the ideological circumstances surrounding their production and place within the visual culture and political history of Lebanon.

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A poetic documentary in which the narrator must grapple with the grief and emotions following the death of a close friend.

The film reviews the pages of the history of medicine in which healing was integrally linked to ritual acts and incantation, paying particular attention to the image of the woman as the practitioner of magical functions. At the start of the wave of witch trials in Europe that lasted from the 16th to the 18th century, women with knowledge of medicine and midwifery were persecuted, while the right to proclaim the truth was given over to the Church, and subse- quently – modern medicine and science, which was mainly controlled by men. Also denigrated as witches were women who didn’t fit into the accepted social order, because, for example they were unmarried or did not have children. Witches were perceived as the embodiments of evil. They were feared and hated, because people believed that years of blight and pestilence, illnesses and still-born children were their handiwork.

A Cameroonese police officer (Alphonse Beni) and a CIA agent (Richard Harrison) try to prevent the Pope from being assassinated by Italian terrorists during his African tour.

A private detective, who has been shot, stumbles into the office of Michael Shayne (Hugh Beaumont), and dies before Shayne can question him. Shayne finds a baggage ticket in his hand. He claims it and finds the checked-bag contains the loot from a robbery. Now, he has about fifty minutes left of the running time to find the crooks, bring them to justice and return the money to the rightful owners. And needs all of it.

An artist has an opportunity to go to Paris and wants to bring his fiancee along. However, she's a psychiatrist who currently has three female patients who don't like men. So, he guises himself as three different men to gauge their trust and hopefully cure them so that his fiancee can go with him.